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2022 Solos Program

Download a copy of the 2022 Solos Program by clicking on the above cover picture.

NSW Solos & Party Championships


The NSW Solos & Party Championships is one of two major events hosted by the BANSW.

Registered members of the BANSW choose events to enter depending on their age range. Usually, except for Open Brass events, all events are own-choice, with test selections released in February each year. However, for 2022, all events will be your own choice. 

Individual solo instrument winners in the open grades can then progress and compete in the Open Brass and Concert Champion of Champions events. These events are held separately at the NSW State Band Championships in August.

In 2022, the NSW Solos & Party Championships are on 25 & 26 June. The venue is the McCaskill Music Centre, Barker College in Hornsby, just a short walk from Waitara railway station. The closest school entrance to the McCaskill Music Centre is off Unwin Road.


Important Information


Before submitting an entry, the member and the band secretary should review all information to ensure that all parties know the terms and conditions of entry.

Band members should notify their band secretary before the closing date. Your band secretary or any individual soloist may submit entries and make payment of entry fees. Entries will be accepted from 1 March 2022 and close on 1 May 2022. Finally, all competitors must upload all sheet music with bar numbers for adjudicators by 10 June 2022

The entry forms (one for solos and trophy events, the other for the party events) and instructions are in this page’s ‘Entry Forms’ tab below.

If you have questions concerning the NSW Solos & Party Championships, don’t hesitate to contact our Contest Coordinator by email or send us an inquiry using the contact form below.


Contest Questions

Contest Details

Event Schedule and Time Limits

Here is the 2022 Solos & Party Event Listing with time limits a registered member can enter.


All events for 2022 are your own choice.


Competitors should note that the room supervisors strictly monitor the time limits for own-choice events. 


When selecting appropriate music for each event, use the following as a guideline:

  • Under 15 (Juvenile) events – AMEB Grade 3 or better
  • Under 19 (Junior) events – AMEB Grade 5 or better
  • Open events – AMEB Grade 6 or better

Test Selections

There are NO Test Pieces set for the 2022 NSW Solos & Party Championships.


For 2022, all Open, Under 15 and 19 Solo events and Party events are 'Own Choice'.


The BANSW will reinstate test pieces for Solo events for the 2023 NSW Solos & Party Championships.

Conditions of Entry

All Perpetual Trophies

  • Perpetual trophy holders from the previous year should return their trophy (engraved and in good condition) to the Band Association no later than 6 weeks before the contest.


  • There is to be no photography or video recording of performers during the Championships. An official photographer may be at the venue, depending on availability. You can only take photos once a performer has finished or at the time of results.


  • The Championships proceed according to the Constitution and By-Laws of the Band Association of NSW Inc., particularly By-Law 24, and the rules and conditions set out below or made by the Contest Committee during the Championships. You can view the Rules and By-Laws.
  • The Championships will be under the control of the appointed Contest Supervisor.
  • A Room Supervisor is appointed to each room and is responsible for ensuring observation of contests rules.


  • Entrants must be registered members of either the Band Association of NSW Inc, an Australian State Association, or a National Association where an entrant is a resident outside Australia.
  • If an entrant turns 15 or 19 on the weekend of the contest, then they will need to go up a grade. An Under 15 player may enter an Under 15 (Juvenile) and/or Under 19 (Junior) solo event. An Under 15 player may enter an Open solo event only if they have previously won a State Championship solo event. An Under 19 player may enter an Under 19 and/or Open solo event.
  • The qualifying age for Veteran's Solo is 55.


  • It is a condition of entry that a player must wear their registered band's uniform.
  • Disqualification of a player can occur if they are not wearing the correct uniform.

Trophy Events

  • Trophy events have restricted entry criteria as follows:

Stewart Douglass Trophy: Slow Melody solo event for Under 15 players of any instrument.

Dora Simm Trophy: Jazz/Popular Music solo event for Under 15 players of any instrument.

Paul Cerezo Trophy: Slow Melody solo event for Under 19 players of any instrument.

Hansen Trophy: Jazz/Popular Music solo event for Under 19 players of any instrument.

Lisa Butcher Memorial Award: Jazz/Popular Music solo event for Open players of any instrument.

Presidents Shield: Slow Melody solo event for Open players of any instrument.


Slow Melody Guidelines

  • A purely melodic composition. No variations or cadenzas, or florid sections, e.g. continual bars of semiquavers. Tempo generally will not exceed 80 crotchets per minute.

Jazz/Popular Music Guidelines

  • Any solo from a specialist "Jazz Genre" or a "Jazz Standard" solos book inviting the soloist to approach the notated solos with freedom relative to the style/genre. 
  • Melodic embellishments and the inclusion of an improvised solo are encouraged.
  • Music selected should be consistent with the expected standards outlined for own choice music.

Percussion Events

  • Percussionists may enter single or multiple events within each age classification. Entry in two or more different age classifications will be considered as separate entries for each age class.
  • Piano Accompaniment is allowed for all Percussion events in line with other individual instrument events. Please note no backing music or singing is allowed as accompaniment or part of the performance for percussion events.
  • The percussion adjudicator is screened unless the adjudicator requests explicitly to be unscreened. We will notify entrants if this occurs.


  • We provided an official accompanist for each room. They are not permitted to move from one room to another, nor are they allowed to charge an entrant a fee to accompany them at the contest. Accompanists will charge a rehearsal fee of which will be confirmed by the accompanist at the time of booking. BANSW takes no responsibility for setting rehearsal fees.
  • Soloists may use their own accompanist at their own cost. However, if that accompanist is unavailable when the soloist is called on to perform, they must use the official accompanist.
  • Copies of music for accompanists must be bound, legible and in good condition. Using loose sheet music will not be accepted. If you would like your accompanist music back, please collect it from the accompanist after your performance. 

Draw for Playing Order

  • We will conduct a draw for each event before the contest and print this in the contest program. The draw for the Under 15 and 19 Champion of Champions events will be completed after all related individual solo events to confirm entrant numbers.
  • If the Contest Supervisor or Contest Administrator is unavailable, a Room Supervisor may permit a player to play out of order. The player will retain the draw number initially allocated in the program.

Legal Notice

It is a condition of entry into the contest venue that the Band Association of NSW Inc. and members of the Management Committee, volunteers and any official will not be legally liable for:

  • Any loss, damage, theft of any instrument or other valuables of any person while attending the Championships.
  • Any assault, illness, injury, death or other circumstance arising during travel by a person to, from, or while attending the Championships.
  • The Management Committee reserves the right to refuse admission to any person or persons to the contest venue facilities. An official may request a person to leave a performance room or the contest venue if their behaviour is considered inappropriate.
  • In improper behaviour, illness, injury or death, the Management Committee reserves the right to call NSW Police and or Ambulance to the venue.
  • Any official, Volunteer or another person who witnesses, or becomes aware of, any act of bullying, the sexual or physical assault must report the occurrence to the Contest Supervisor, who will decide appropriate action.
  • Children under 16 years of age, unaccompanied by a parent or family member, must be accompanied by a person holding an approved WWCC and can provide the details for review upon request.

Entry Forms

* There are 2 entry forms, one for Solo and Trophy events, the other for Party events. *


Entries for the NSW Solos & Party Championships for 2022 will commence on 1 March.

Soloists or Band Secretaries should complete their entry using the online entry forms below. The entry forms calculates the fees due. Please note how the multi-percussion events calculate. If assistance is required to complete the entry form, don't hesitate to contact the Contest Administrator. 


  • Entries will not be accepted after the closing date, 1 May.
  • We will confirm events entered for each band to band secretaries.
  • Soloists and Band Secretaries can pay for entries or request an invoice through our Online Shop
  • The Band Association of NSW Inc. or its representatives may decline an entry without reason.
  • Entry forms must be completed using the forms below:


* There are 2 entry forms, one for Solo and Trophy events, the other for Party events. *


Solo and Trophy Events Entry Form


Entries have now closed for 2022.


Party Events Entry Form


Entries have now closed for 2022.


Event Fees and Audience Tickets

Entry Fees for 2022 are:

  • Solo Events (per event): $35
  • Percussion events:
    • 1 event - $35
    • 2 events within the same grade - $50
    • 3 events within the same grade - $65
    • 4 events within the same grade - $75
  • Trophy Events/Duets/Trios: $35
  • Quartets and Small Ensembles (5-9): $45
  • Large Ensemble (10+): $55

 Pay for your entry via our Online Shop


The issuing of refunds will only be in exceptional circumstances at the discretion of the Management Committee.


Audience tickets will be available on the day of the Championships only (no pre-sales). Contactless payments may be available on the day, pending on internet connection strength.

  • Single Day Ticket: $10
  • 2 Day Ticket: $15
  • Concession Day Ticket: $8
  • Concession 2 Day Ticket: $12
  • Program: $5


Here is the timetable for the 2022 NSW Solos & Party Championships.


2022 Full Timetable


If you have a band member who entered into multiple events and believes there may be a possible clash, please let the Contest Administrator know to review. 


Individual competitor times are not released. The competitor's responsibility is to monitor the progress of the rooms in which their event/s is to be. 


Competitors must complete registration for an event no later than 30 mins before the event's start.


Adjudicators and Accompanists

We have great pleasure in announcing the adjudicators and accompanists for 2022.


Accompanists: TBA




Jocelyn Fazzone is a Sydney based flautist, pianist, educator and examiner. Jocelyn currently teaches at the Sydney Conservatorium of Music and UNSW. She is the Woodwind Advisor/Chief Examiner and Federal Examiner with the AMEB NSW and a founding member of Windfall Sextet and Fluteworthy publications. She has received 14 AMEB teaching awards to date for achieving the top annual student examination results in NSW. Jocelyn is a published author of flute music collections and teaching reference material and has recorded several CDs featuring Australia’s leading flautists, including Janet Webb. Jocelyn is frequently a guest performer, master class teacher, lecturer & teaching mentor around Australia. She has recorded for Fine Music and ABC radio and has worked as an orchestral flautist with several major orchestras, including the SSO, AOBO, QSO & TSO.



Dominic Longhurst is a 24-year-old musician from Sydney, Australia. Growing up, Dominic loved any opportunity to perform and is one of Australia's most successful brass soloists in competitions, winning over 100 first prizes at metropolitan, state and national levels. In 2011, Dominic was the recipient of the Dame Adrienne Stewart Bursary, which awarded him the opportunity to study under Professor David King. Very shortly after, as a 13-year-old, Dominic won both the Australian and New Zealand National under 19 Brass 'Champion of Champions' - In over 100 years of the contest, no other person has achieved this. Following this, Dominic won the junior and open cornet sections at the National Brass Championships of Australia. He went on to win both Junior and Open brass finals in 2013 at the age of 15, becoming the only person in the competition's history to hold both crowns in the same year.

In 2015, Dominic moved to the UK to study trumpet at the Royal Northern College of Music (RNCM). Subsequently, he joined the Brighouse and Rastrick band, where he held the positions of Principal Cornet and Soprano Cornet for nearly 4 years. Dominic quickly gained a reputation as a world-class cornet soloist from performances given in contests and concerts across the globe. During that time, Dominic represented England and Norway at the European Brass Band Championships on four occasions. Also, he played a part in winning the National Championships of Great Britain with the Brighouse and Rastrick Band in 2017.

At the RNCM, Dominic saw his career prospects propelled, and his ensemble performances and solo recitals received critical acclaim immediately following his arrival. Dominic studied with Gareth Small and Murray Grieg. His progress earned him opportunities to perform projects and concerts with The Hallé Orchestra, Dutch National Opera and the Symphonic Brass of London, to name a few. In 2016, Dominic played the principal trumpet at the Bridgewater hall end of year Symphony Orchestra concert and the following year. In addition, he represented the RNCM's trumpet faculty in the combined orchestras of RNCM and Paris Conservatoire, including touring across England and France to perform alongside some of the world's most promising orchestral players. A highlight of Dominic's time in the UK was awarded one of the highest musical honours by receiving the Worshipful Company of Musicians' Silver award for a most distinguished student at the RNCM for 2018.

Having moved back to Australia, Dominic took on the Musical Director role of the Willoughby Band, is Principal Cornet of Pacific Brass, performs as a freelance musician with Opera Australia and is the 2022 recipient of the Sydney Symphony Orchestra trumpet fellowship. Dominic is a Besson Brass Artist.



Robert Oetomo is a multiple award-winning Indonesian-born Australian percussionist, composer and educator. He has been invited as a special guest artist to perform and present masterclasses in numerous festivals and universities around the world including the Hochschule für Musik Würzburg in Germany, the National Tainan University of Arts in Taiwan, Ithaca College and Southern Utah University in USA, Instituto Baccarelli and No Conservatório Brasileiro de Música in Brazil, the 2019 Australian Festival of Chamber Music in Townsville, the Western Australian Academy of Performing Arts and Marimbafest (2019 & 2021) in Perth, the Australian Percussion Gathering 2016 in Brisbane, the 9th Tabasco International Marimba Festival 2015 in Mexico and the 1st Qingdao International Percussion Festival 2014 in China.

A versatile percussionist, Robert has performed with various orchestras and ensembles, including the Opera Australia Orchestra (formerly known as the Australian Opera and Ballet Orchestra), the Württembergisches Kammerorchester Heilbronn, the Kurpfälzisches Kammerorchester Mannheim, the Heidelberger Kantatenorchester and Synergy Percussion. He made his debut as a soloist in 2010 with the Beecroft Orchestra. since then, he has performed as a soloist with the 2019 Australian Festival of Chamber Music Ensemble, Phoenix Artist Collective, Sydney Conservatorium, Mosman and North Sydney Symphony Orchestras (Australia), Ensemble Impronta (Germany) and Braddell Heights Symphony Orchestra (Singapore). To date, he has released two CDs; Evergreen EP and Soar: A Composers’ Portrait.

As a composer, Robert passionately advocates the development of percussion music. He has composed an extensive collection of works for percussion, which have been performed on the stages of the world’s most renowned concert halls, including the Royal Albert Hall and the Sydney Opera House. He has received numerous commissions to compose compulsory competition pieces, including for the 2022 Melbourne Symphony Orchestra Snare Drum Award, Marimbafest Marimba Competition 2021, the Australian Marimba Competition (2015 – 2019), the 2022 Australian Percussion Eisteddfod,1st MalletLab International Online Mallet Competition 2018 in the USA, and the 2020 Taiwan World Percussion Championship. German pianist Susanne Kessel recently commissioned him to compose a solo piano piece (For Allyce) as part of the ‘250 Piano Pieces for Beethoven’ project, celebrating Beethoven’s 250th anniversary of his birth in 2020. His works are published by Edition Svitzer (Denmark), Tapspace Publications (USA) and Edition Musica Ferrum (England).

Robert began his percussion studies at the age of 18 while commencing his Bachelor of Music (Composition) and Teaching degree at the Tasmanian Conservatorium of Music in 2006. The following year, he was admitted to the Sydney Conservatorium of Music, where he completed his Bachelor of Music (Performance) degree with First Class Honours in 2010. He then went abroad to Germany where he studied his Master of Music in Performance (Künstlerische Ausbildung) at the Staatliche Hochschule für Musik und Darstellende Kunst Mannheim (Mannheim Univeristy of Music and Performing Arts), receiving the highest distinction (1,0) for his graduation recital in 2014. His past teachers include Professor Dennis Kuhn, Jasmin Kolberg, Claire Edwardes, Daryl Pratt, Richard Miller and Gary Wain. Robert is an Encore Mallets Signature Artist, a Marimba One Premier Artist and a Sabian Cymbals endorser. For more information, visit



Michael Forsyth: Bachelor Of Music, Diploma of Education, 2 x Associate Of Music Australia, Licentiate Trinity College London, Fellowship Trinity College London, 2 x Fellowship Australian Society Of Musicology And Composition.


Tuba Holroyd Brass Band, Musical Director Brisbane Water Brass Band, Tuba Hills Music Academy, Bones of Contention Trombone Choir (player and occasional MD), Tuba Parramatta City Brass Band, Contrabass Trombone & Tuba Sydney Wind Symphony, Bass Trombone St. Marys Band Club Brass Band, Guest lecturer Bass Trombone Shanghai Conservatory China, Australian National Champion Open Bass Trombone, State Schools' Symphony Orchestra (Co- Musical Director), 1992 -1993 Australian National Champion Open Bass Trombone, 1988-1994 and 96 NSW State Champion Open Bass Trombone, 1989-1994 Australian Opera and Ballet Orchestra, Sydney Philharmonia Orchestra. 


2020 Concerto for Euphonium - Fletcher Mitchell (RAN Band) Recital at US Army Band (Pershing's Own) Tuba-Euphonium Workshop, 2015 Honoris Causa for Brass Band (Commissioned by NSW Band Association for 2015 Australian Championships), 2012 Skyscape Concertino for Cor Anglais, Trombone and Strings, 2009 - 2012 Aeneid Impressions for Brass Band (Test Piece for B Grade Brass Section, NSW State Band Championships 2014), 2009 The Castle Church of St. Catherine for Bass Trombone and Piano (Test piece 2015 Australian Solo Championships), 2004 Brass Sight Reading (published by Allans Music Australia), The Die Is Cast for Brass Band (Test Piece for A-Grade Brass Section, NSW State Band Championships 2007 and French National Band Championships 2009, released on CD September 2008), 2003 European Première 2nd Trombone Concerto Lille, France (Soloist: Gregory van der Struik) Repeat performance Amiens, France 2002 World Premiere 2nd Trombone Concerto Christ Church St. Lawrence, Sydney (Soloist: Jacques Mauger) Release of CD Harlequinade (own works for Brass), 2001 Premières of Le Cloître de St.Trophime (brass quintet) and an Angel for Max* (trumpet and piano) - Sydney Conservatorium of Music * Test piece 2003 Australian Solo Championships, 2000 Première of Three Slovak Scenes (Tuba and Piano) Australian Solo Championships 2003, 1998 Welzheim Flourish for trombone and organ (Première: July, 1998 St. Gallus Kirche,Welzheim, Germany), Ceremonial Fanfare for Brass Ensemble, 1997 Momentum for Horn and Piano (Test piece 2003 & 2015 Australian Solo Championships), 1996 Concerto for Trombone Première Sydney Opera House, Sydney Youth Orchestra 2nd performance: Shanghai Symphony Orchestra, 1995 Hypnos for seven clarinets (CD released), Three Sketches for Bassoon and Bass Clarinet, 1993 Release of CD "Trombonis Australis" (2 works). 


Equipment Supplied

We provide the music stands, and warm-up rooms will be available.


A grand piano will be available in all rooms where possible. If unavailable, there should be at a minimum an upright available.


For Percussion events, we will supply:

  • Drum Kit
  • Concert Snare Drum
  • Tympani
  • Xylophone/Glockenspiel/Vibraphone/5 Octave Marimba

Uploading Music and Checking In


  • To upload your music, use the Sheet Music Upload Box below
  • Music uploads are due by 10 June 2022.
  • Adjudicators' music MUST NOT contain distinguishing marks that may identify the competitor or the band they represent.
  • All music for the adjudicator must have all bars numbered
  • Competitors must hand Music for Accompanists directly to the registration desk on the day.



All competitors must check-in for each event they have entered at least 30 minutes before the event is due to commence.



The Sheet Music Upload Box was closed on 10 June.

If you failed to upload it, please bring a printed copy with all bars numbers for the adjudicator on the day of the contest.


Performance Recordings

Adjudication recordings are online MP3 files.

These recordings will be made available within 24 hours of the conclusion of the Championships.

Champion of Champions Events

An automatic invitation to compete in the Champion of Champions events goes to all winners of individual solo events in all grades. It occurs at the time of the announcement of the results of their section.


If competing, the invitee should notify the Room Registrar where the Champion of Champions event is being held of their intentions and provide their music. For example, if an invitee competes using the same piece they played in the solo event, they will need to collect their music from the Contest Office to give to the Room Registrar.


The draws for each Champion of Champion event occur after all solo events that make up each Champion of Champion event.


The Open Champion of Champion event for both Brass and Concert will be contested on the Saturday afternoon at Barker College, after the Presidents Shield event.


Under 15 and 19 Champion of Champion events for Brass and Concert will be contested on Sunday afternoon at Barker College.


Volunteering is crucial for our community to run a successful Championships. Without people volunteering their time and skills, we couldn't hold these events to the high degree that our members have come to expect.


We have a range of positions available:

Room Supervisors and Announcers

Room Registrars



Door Keepers

Ticket Sellers

Catering - morning/afternoon tea for volunteers and officials.


If you have some free time over the weekend, why not come along and help us out. All it will take is to complete the interest form below.


We provide our volunteers with heaps of drinks and snacks!
Advise us of anything you think we need to know to assist your volunteering experience.

Percussion Masterclass

The adjudicator will hold a masterclass after both the Under 15 and Under 19 percussion events. In addition, depending on interest, we may have an open percussion workshop open to non-competitors.

COVID-19 Safety Changes

**As a disclaimer, there may be some changes pending the relevant health advice at the time of the event.**



Spit Towel: Each musician must bring a spit towel to use in warm-up rooms and on stage. Room Supervisors will wipe down stands between performances.


COVID-19 Safety:

  • Hand sanitiser will be available on entry to all rooms,
  • Maintain social distancing where possible,
  • Wear a face mask if you can't maintain social distancing,
  • Audience numbers may be restricted to prevent overcrowding,
  • There may be untimetabled breaks to allow the air to circulate in the rooms.